Author Archives: Julie Paschkis

Wordy

Hark! A new book!

The Wordy Book, published by Enchanted Lion is coming soon.

The Wordy Book, as you might have guessed, is bursting, babbling, mumbling and billowing with words, beginning with the endpapers.

The book is a collection of paintings that I made over many years. Each painting is paired with an open ended question.

A word can be savored for its sound and shape as well as for its meaning.

When you hear a word the meaning usually arrives first; sometimes the meaning obliterates the other qualities.

In paintings those other qualities have time to surface; meaning can be fluid. The words bump into each other and they bump into the images in the painting. They ask questions as well as giving answers.

Some of the paintings were created years ago, and they inspired new questions. The Sea of Words was used by the King County Library for their Playing With Words program. What do you sea?

In some of the paintings the question came first and I painted a response to it. What do you see?

Can the inside be bigger than the outside? The dragon has other creatures inside of it, as do we. All of the words in the dragon also have a second word embedded inside them.

In the Ouroboros the end of each word contains the beginning of the next.

Some of the pages are plain silly.

Some ask for more thought.

Is this book for kids? Yes. (Although adults are allowed to enjoy it too.) When I was a child I loved words. A favorite book of mine was Ounce Dice Trice and I itched to read it. I hope my book will scratch that same itch for kids now.

The Wordy Book can be preordered now from your local bookstore, from Enchanted Lion or from Bookshop.org. It will be available in mid August – a good time to notice words, bathe in words, play with words and go astray with words.

p.s. Can you find the tribute to Ounce, Dice, Trice hidden in the endpapers?


p.s.s. Here is what Kirkus has to say about the book:

THE WORDY BOOK[STARRED REVIEW!]

Words and pictures connect in surprising, stimulating ways.

Talk about painting with words. Author/illustrator Paschkis plays with them, too, and encourages readers to do likewise. In the process, she explores the elasticity and seemingly endless possibilities of language. The vividly colored, wittily detailed, folk-style paintings on double-page spreads organically incorporate words into the artwork in wondrous, creative ways. Words frequently repeat in different sizes and colors; illustrated images include words that sound or are shaped like them, are variations of them, rhyme or nearly rhyme with them, sort of resemble them, are sort of spelled like them, etc. A bouquet of flowers in a vase sports roses exuding the scents of slumbersultry, shush, and other evocative words beginning with S; on a daisy’s petals readers find dizzy, doozy, lazy, jazzylief, leap, life, and more decorate the leaves. Delightful words—many of which readers won’t know, and that’s OK—flex vocabulary and spelling muscles to the max and also enhance readers’ visual and auditory senses when the pictures are taken in. Furthermore, the spreads are connected to thought-provoking questions. Some inspired the paintings, or vice versa, and themselves contain examples of wordplay. Persons depicted have diverse skin tones. The book makes a great springboard for creative-thinking activities in writing and art units in classroom and library programs. Keep dictionaries handy. Endpapers abound with swirling words readers can savor (and look up).

In a word, a feast for the eyes, brain, and artistic imagination. (author’s note) (Picture book. 6-10)

i.e. gallery show

A solo show of my paintings will be at the i.e. gallery in Edison, WA. for the month of June, opening this Saturday June 5th from 2-4 PM.

Here are many of the paintings for those of you who can’t visit in real life.

My paintings have always been connected to my work as a children’s book illustrator. Most of my paintings tell stories although they don’t have manuscripts. You can make up your own stories when you see them.
This show includes a few series of work done over the past several years, before and during Covid isolation.

One group of paintings began with this character whom I call Aurinko (the Finnish word for sun). In this painting she has lots of feet so that she can travel far. Those feet were inspired by a Catalan print of La Vella Quaresma that hangs in the kitchen of my friends Karel and Nancy.

I imagined her in different settings and seasons (and with varying numbers of legs and heads).

I painted this series using a dip pen and waterproof ink, then added color. Here is a detail. What is summer without bugs?

The Fishermoon soon joined Aurinko.

And the mermaid. And various other creatures of the woods and waterways.

Another group of paintings was painted with gouache and pinpricks. These were from the heart of the pandemic – a time of isolation.

Here is a detail:

Another series is gouache and collage with simple shapes and bold colors.The paper for the collage elements is hand-painted. I began this series in 2019 and have continued because the strong colors feed me.

Here is a detail:

I made designs for giant enamel panels for Sound Transit in 2020 with this technique, playing with the idea of transportation. I will be redesigning them to be mosaics, so these paintings could be included in the show. You might recognize the influence of La Vella Quaresma again. Unlike that story, my character gets to keep and use her legs. She even gets new shoes.

The Skagit Valley is a wonderful place to ride your bicycle.

I hope that by bike, car or foot you can see the show in real life, or visit the i.e. website to see more work. Thank you.

On the last day of the show (Sunday June 27) I will be teaching a workshop where we will make paper lanterns. For more information on the workshop please click here.

Delicious Too

Last week Julie Larios wrote here about our new book Delicious.

Her poems are tasty, and it was a pleasure to illustrate them.

It was a pleasure that lasted for a decade! Delicious celebrates street food, much of which is fast, but creating the book was slow. I loved her idea and poems when I first heard them in 2011. I then created sample illustrations using the technique of papercutting.

Julie and I submitted the book for publication in 2012 but the world was not hungry for it yet.

Years later Allyn Johnson at Beachlane had an appetite for this project but wanted paintings not papercuts.

With this painting I figured out my new approach. I began with Julie’s Oaxaca poem because of my deep love for the place – its art and food. (Here and here are links to other posts I have written about Oaxaca.)

Painting the images for this book was a trip around the world. It involved research about the food and also about the places. For example for the illustration about Senegal I looked at pictures of baobab fruit, bouye, bissap water and lots of Senegalese textiles which I referenced in the border and also in the bark of the trees.

SUMMER DAY (Dakar, Senegal)


Cousin, cousin – cold bouye?

Cold bouye from the baobab tree?

And icy bissap water for me.

………………………………………………………………

My imaginary visit to Korea included kimchee and kites.

BEST FRIENDS (Seoul, South Korea)

First full moon day, time to play

You and I with kites in the sky.

Auntie brings us market meals:

mandu for you,

kimchee for me.

………………………………………….

Food is joyful. Food is necessary. Food is a way to keep culture alive and to connect cultures. In my illustrations I celebrate each unique place as well as the food.

After many years of cooking, this feast is ready. Hot dog!

STADIUM DOG (Boston, Massachusetts, USA)

Franks with relish

at Fenway Park,

going, going, gone-

and home before dark.

……………………..

I hope that Delicious will lead to real shared meals and experiences. You can purchase the book many places including Elliott Bay Books here.

………………………………….

Paprika Coloring Book

Last spring I started creating coloring pages and posting them on my website here. It was a way for me to offer something to people who were suddenly home all the time (kids and adults). And it was a way to steady myself in a wobbling world.

Now, a year later, I have posted more than 150 drawing pages. They are all available to download for free here.

Recently I picked 21 of my favorite pages and made a new coloring book.

You can buy the coloring book at JuliePaprika for $10. (Click here). The pages can be colored with pencils, crayons, markers or paint.

You can make up your own stories for the images as you add color.

Because I used to be an art teacher, I hope that you will also make your own drawings from scratch. Here are a few prompts for starting a drawing. These are some of the ways I jump start myself.

DRAWING PROMPTS:

  1. Draw a shape and repeat it many times. Then decorate that shape with doodles.

2. Draw a straight line. Connect another line to it. Keep adding lines and see what happens. Various dimensions might appear.

3. Write a word so that the letters fill the whole page. Decorate the letters.

4. Draw something that is laying around your house. Don’t worry if your drawing is wonky or strange. If you wanted a perfect picture you could take a photograph.

5. Draw a line and repeat a similar line next to it, over and over. You can do it with many shapes (like these leaves), or just one shape over and over. The little irregularities and variations of the line as it repeats will make your drawing interesting.

I hope that you will have fun creating your own drawings, and adding color to mine. And I hope that as the world opens up there is still time to draw or be contemplative in other ways.

p.s. Today’s blogpost comes with dessert. Here is a recipe/painting of strawberry rhubarb pie by my niece Zoe Paschkis. You can see more of Zoe’s work on Instagram ( click HERE) or Etsy (HERE).

Piano

Drawing by Saul Steinberg

Pianos are splendid. Here is a book that explains with brio how they came to be.

My friend Julan Chu, a gifted pianist, lent me a fine, shiny piano. It felt wrong to have it and not to play it, so I began to take lessons again last January.

Julan Chu -portrait by Julie Paschkis 2003

My lessons became virtual when the pandemic arrived, and they also became more important to me. The discipline of practicing scales and pieces has been an anchor (a metronome?) during these strange times.

In the book Dancing Hands, Margarita Engle tells the story of the pianist, composer and singer Teresa Carreño, who immigrated to the U.S.A. from Venezuela during the Civil War. This book tells the story of the power of music in light and dark times- like a piano it conveys a whole range of emotions. Click here for a link to the illustrator Rafael Lopez’s fantastic blog about how he illustrated the book.

Although I am practicing and playing through dark and cloudy times, you wouldn’t illustrate my attempts with vivid blossoms. My hands stumble and squawk more often than they dance.

Christoph Niemann

But it is interesting to try, and it is satisfying to see incremental change. Every once in a while I can make music.

Petr Vasilievich Miturich

When I am at the piano I need to let everything else go, which is difficult. I realize how fractured my attention has become. Practicing requires presence.

In May Christoph Niemann published a graphic essay in the New York Times about the solace of learning piano as an adult during the pandemic.  (Click HERE for a link.) He brilliantly illustrated the pain and the pleasure of the practice. Now he has turned that essay into a book: Pianoforte.

His illustrations are perfectly compressed ideas – succinct, funny, and true to my experiences.

He shows the frustrations …

the side benefits…

and the ephemeral pleasures.

 

I had to include actual music in this post!  Please click HERE for a link to Ballade No. 15 , composed by Teresa Carreño, played by Alexandra Oehler.

And here is a link to the website of my fantastic piano teacher, Carrie Kahler. She teaches young children as well as adults. Because the lessons are virtual you could sign up no matter where you live.

What has kept you going during the pandemic? Please share your thoughts in the comment section. Thank you.

 

Merry Mama

My mother, Marcia Iliff Paschkis, is an artist – a potter. She is 92 now and still makes pots and teaches other people how to make pots. 

She also likes to draw. Everyone in my family draws or makes things – I think largely because of the example that both of my parents set. It isn’t a big deal – it is just part of life.  

I have absorbed a lot of my mother’s habits of working as well as her style.

Every year my mother draws a Christmas card. As a holiday treat I am sharing some of the many cards she has sent out over the years.

 

I have also posted her images in a down-loadable form at my website HERE  in case you want to color them in. 

Happy Holidays from my mama to you!

 

 

Vote Sun or Moon

A high stakes election is underway in the USA. It is time to vote. It is also time to vote here at Books Around the Table.

Ingri and Edgar Parin D’Aulaire

The election here is between The Sun and the Moon. Please look at THE SUN images and THE MOON images below, then cast your vote.

THE SUNS

Abner Graboff

Boris Artzubasheff

Brian Wildsmith

Beatrice Tanaka

Eva Rubin

Mariana Malhao

Yuri Vasnetsov – The Stolen Sun

THE MOONS

Arthur Rackham

Josef Lada

Alice and Martin Provensen

Lev Tokmakov

Melissa Sweet

Tomi Ungerer

Maurice Sendak

Thank you for voting.  And now that you have exercised your voting muscle, go to the polls and cast a real vote!

P.S.Who can really choose between the sun and the moon?  I am selling a 2021  calendar to raise money for the ACLU . It includes both the sun and the moon! This one page poster that sells for $12 and ALL of the money goes to the ACLU. If you buy 5 or more shipping is free. Please click here to find out more or purchase one. Thank you.

 

 

EEK!

EEK! It’s a book.

A few years ago Julie Larios brought a new manuscript to our critique group. It was an alphabet book where each letter was a sound instead of a word. HUZZAH! I loved the idea and asked Julie if I could illustrate it. We both found the idea of random sounds delightful. I imagined an animal to go with each sound. 

My agent at the time felt that the book needed a story. UH-OH.

Julie L. and I decided that I would create a story through the art. So I invented a story with animals to go with and around the sounds. Because I came up with the story we are both credited as authors.

I kept the Mouse I had painted for ACHOO and sent him on a journey. The plot unfolds through the art and the sounds punctuate the story.

The story begins with Mouse picking a flower which he carries through the book. Each page introduces a new character (or characters).  A bird and the bee are the first characters to be introduced and they are on every spread until the flower at last is delivered to the mouse’s love: a Lion. All of the animals (except Lion) are hinted at before they appear and after they leave. The art is a kind of scroll.

If I couldn’t make a sequence work I went to Julie Larios and we reworked either the sound or the action. We changed many of the sounds through the whole alphabet, but always kept the idea of using sounds instead of words.

We sent the book out and it was accepted for publication by Peachtree. The wonderful editor Vicky Holifield guided the book through the next step of its journey. Every sound,  color  and image was considered carefully and discussed with many words. HMMMM. 
For example the sound for p began as PSST, became 
PHEW and ended up as PLOP. My magenta P was turned into a powder pink P.

We struggled at times to get the right words and imagery.

Sometime during the process I realized that my fantasy story was quite autobiographical. Raccoon had a bicycle accident – which I had had in 2016.

A big tree fell – just as a tree fell on my studio in 2019.

 A random marching band came by – which happened when I was visiting Golden Gate Park.

Julie and I hope that children and other readers invent their own narratives to go with the sounds. We want you to head off on your own imaginative journeys. ZWWOOP – Play with language and revel in sounds!

You can get EEK! at Secret Garden Books in Seattle , at Alibris , at Amazon or at your favorite local store. Thank you.

Flag and Country

Usually on the 4th of July I think first of fireworks and then of hotdogs.

This year is different. It is impossible to heedlessly celebrate because of the virus.

And the weeks leading up to July 4th have been filled with protests that lay bare the injustices of America today and throughout history.

Faith Ringgold Flag “Die Nigger” 1969

Faith Ringgold: This Flag is Bleeding 1997

Both the virus and the protests make me think about our responsibility towards each other.

Julie Paschkis 2020

How do we celebrate our country? What truths do we hold to be self-evident? What does it mean to be an American? 

Florine Stettheimer 1939

Bang Bang by Kerry James Marshall 1994

The social fabric is shredded and frayed right now, but that is an opportunity. The torn fabric can be sewn back differently. That would be worth celebrating.

Arcola Pettway

Head, Body Legs

Head, Body, Legs is a drawing game. You can play it with as few as two people or with a whole roomful. You can even play it through the mail – preserving social distance while making playful connections.

by Julie Paschkis and Zoe Paschkis

How does it work?
Fold a piece of paper into thirds.
Draw a head of any kind – human, animal or other – in the top “head” section of the paper.

Draw two tiny lines that extend from the bottom of your drawing into the middle “body” section of the paper. Fold the paper so that the head is hidden.

Pass (or mail) the paper to the person next to you,. They will see only the little lines and not your drawing.

The next person draws a body of any kind in the middle section, adding tiny lines that extend into the bottom “Legs” section of the paper.

They fold and pass (or mail) the drawing to the next person so that only the little lines are visible, not the head or the body.


The next person draws the legs.

Unfold the paper to reveal the creature that you have co-created.

In a group everyone draws at the same time and then passes in the same direction.  You work on the head of one drawing, the body of the next and the legs of a third. The process sounds complicated but it is actually simple: Fold, Draw, Pass, Repeat.

Here are some Head, Body Legs that were drawn at a table. All the generations of my family often play this game.

by Julie Paschkis, Joe Max Emminger and Amy Kaye

By Julie Paschkis, Benji Kaye and Eric Kaye

by Benji Kaye, Julie Paschkis and Joe Max Emminger

by Lucia Santos, Julie Paschkis and Jennifer Kennard

The drawings themselves can be as simple or complicated as you like. The finished pieces look more coherent if all of the participants use the same media – pencil, ink, markers or paint.

Here are some recent HBL passed through the mail instead of around a table.
I started these at home and then sent them to Margaret Chodos-Irvine, who sent them to Deborah Mersky.

by Deborah Mersky, Margaret Chodos-Irvine and Julie Paschkis

My niece Zoe and I did these three piece drawings  through the mail:

by Zoe Paschkis and Julie Paschkis

Then we realized it made more sense as a two person collaboration to create two part drawings. Head Bo/Dy Legs.

I drew these:

And mailed them like this:

Zoe finished them:

 

Exquisite Corpse is another name for Head, Body, Legs.

Whatever you call it, I hope you will give it a try.

Joe Max Emminger, Julie Paschkis and Daisy Emminger

P.S. I am continuing to post free, printable coloring pages on line every Monday, Wednesday and Friday. Please click HERE for a link to those pages.
Here are some pages that people have colored in.

Benji Kaye

Mary Ann Landmesser

Eric Kaye

After you have spent some time playing Head, Body Legs, or coloring in the printed pages, perhaps you will be inspired to keep drawing, or to invent your own games.

Benji Kaye