Tag Archives: Dare Wright

Many Moons

I just returned from a week in Maine. In addition to visiting my family, the sea, and the rocky shore, I also got to visit old friends whom I had not seen in many moons. I’m referring – of course – to books.



 

Shelves and shelves of books. I could remember just when I had met most of them. These books connect me to my family, to my younger self, and to the world.


 

Time moves in only one direction, but books are time machines. They take us back to when we first read them. They take us to new or old worlds.

Across seas,

The Story of Vania, Helen Pons

 

and under trees.



They take us home even if home no longer exists.


They take us on unsettling adventures.

Dare Wright

Eudora Welty said “The events in our lives happen in a sequence of time, but in their significance to ourselves they find their own order, a timetable not necessarily – perhaps not possibly – chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation.”

Alice and Martin Provensen

The art and stories I have read, seen and loved (or sometimes disliked) provide intermittent sparks of revelation and inspiration. What books are sparks for you? What books offer time travel?

The Great Quillow by James Thurber, illustrated by Doris Lee

I hope that the my work will spark someone else. I can never create with that in mind; thinking about how something will be received is a quick way to kill the joy of making art. But in the abstract I hope that before croaking I can make time machines for someone else to ride.

Ed Emberly

In a Minor Key

It’s November. The rain has come to Seattle.  I’ve been inside a lot, working on a new book of poems and paintings.crows  Paschkis

While painting I often listen to music,  especially music in a minor key. A sad song can make me quite happy.
Here are some thoughts on illustration in a minor key.

The subject matter in this painting by Bilibin ( a visit to Baba Yaga) fits the somber palette.

ivan_bilibin_vasilisa

And this elegant painting by Arthur Rackham for Grimm is as grim as the story.

rackham grimm

But I remember being scared by all of the illustrations in the book A Holiday for Edith, by Dare Wright, even the ones that were supposed to be happy. The whole book was suffused with melancholy. I think that an artist brings many things to a book and some of them might not be brought there on purpose.HOLIDAY-for-EDITH-and-the-BEARS_large

Divica Landrova’s  illustration for Little Red Riding Hood is in a minor key, even though Redcap has not yet met the wolf.

divica landrova

Compare that to the same subject matter by Watty Piper.

Watty Piper

I always wanted a seat at the table in Barbara Cooney’s Chanticleer, even though the illustration is dark. It feels cosy, like being inside when rain is falling on the roof.

chanticleer

Yuri Vasnetsov’s style and colors are similar here, but the room is lonely and frightening.

vasnetsov dining room

In this illustration by Lisbeth Zwerger, the text says that the feast is merry, but it feels desolate. Maybe the robbers are sad that their iPad fell on the floor.

zwerger robbers

This feast by Edgar and Ingri D’Aulaire describes a happy mayhem. It is in a major key.

daulaire valhalla

I will end with my favorite feast of all, by Yuri Vasnetsov. The cockroaches put it firmly in a minor key. This is from the Magpie, shown on this blog before.

magpie

Enjoy the rain and sad songs!

p.s. If you would like to curl up under a quilt, please check out my new blog Mooshka – a Patchwork.