Tag Archives: Kevan Atteberry

THE STORY OF LITTLE WOLF

Every book has its origin story. For Little Wolf’s First Howling, which launches April 11, that story begins and ends with collaboration and play.

In November 2014 John and I found out we were going to be grandparents. We bought a wolf puppet for the expected baby and were goofing around with it on the drive home when Little Wolf started howling with an Ella Fitzgerald-inspired vibe. We cracked each other up, so I tried working some of our play into a picture book text. John and the puppet were my first collaborators on Little Wolf.

But it is my sister Kate Harvey McGee whose name is beside mine on the cover. Kate gave the illustrations their luminous color. So I thought I’d give over my blog post today to some thoughts about what made our collaboration so much fun.

First, we have history. Kate and I are the third and fourth children in a family of five kids: four girls and (finally) a boy. We shared a bedroom most of our childhoods and spent lots of time coloring together, redecorating our room, making up stories with our stuffed animals and getting in trouble for laughing when we should have been going to sleep.

In the year I was a senior and she a freshman at Sonora High School, we worked together every week before home football games painting a huge Wildcat head that was leaned up against the goal posts for the football team to burst through as they took the field. That’s the last time we made art together.

wildcat444

Until September 2015 when she agreed to provide the color for Little Wolf.

To backtrack a little — Candlewick Press editor Katie Cunningham and art director Heather McGee offered to publish Little Wolf in July 2015. Heather talked to me about the challenges of printing a book that takes place at night; a book with so much black. She explained that instead of the usual CYMK four plate process, this book would be printed CYMKK, two black plates. In other words, I would need to provide the black and the colors on two separate layers.

Since the artwork had to be in two layers, I knew just who I wished would do the color. About ten years ago my sister Kate turned her talents from landscape architecture to plein air painting with pastels.

I love her work, especially her sense of color and composition.

Little Wolf takes place at night in the wilds of Yellowstone, I could imagine how Kate would paint that light and beauty.

We made samples to show Katie and Heather what we had in mind. In November 2015 they welcomed my sister Kate on board.

One more hurdle: Kate and I would both have to learn Photoshop to make this work. (Much thanks to Kevan Atteberry for helping me with this.)

Five months of intense artmaking began. I created the black layer a conventional way, painting with white paint and black ink in gouache resist technique. This I scanned and adjusted in Photoshop, then emailed to Kate who lives near Corvallis, OR.

Also working in Photoshop, Kate created a pastel palette and “painted” the colors in layers under the black layer.

Every time she sent back a spread, I would open the file with bated breath. Every time it was a revelation.

Collaborating with Kate was fun because we trust what each of us brings to the table. We share a similar aesthetic. It was fun to be making something together and good to have each other’s advice to figure out when a piece was done.

Mostly we worked each in our own studios, but twice we met to work side by side. Once for a magical weekend at Arch Cape on the Oregon coast, where the nights were starry and the days sunlit. And once in Seattle as we wrapped up the project. We turned in the interior art April 2016.

Then began the design for the cover. Color proofs one and two. ARCs. Gratifying reviews (three stars!).

This story that began while playing with a wolf puppet grew to carry the truth about the importance of singing your own song – as well as the joy of singing with one you love.

YOU ARE INVITED

The launch of Little Wolf’s First Howling, Tuesday April 11, 7 pm at Secret Garden Bookshop in Ballard, 2214 NW Market St., Seattle. Come help us wolf down refreshments and howl along with family and friends to string bass accompaniment. Feel welcome to bring your pack.

Also – Special Storytime April 12 at 11 am. at University Bookstore, 4326 University Way NE, kids department.

p.s. One more collaborator — As part of my ongoing effort to include Izzi in as many blogposts as possible, here she is posing for reference for Big Wolf on the cover.

Advertisements

WHAT NEXT?

On March 30 I sent all the interior illustrations for LITTLE WOLF’S FIRST HOWLING to Candlewick Press for publication next Spring.

It has been an intense and exhilarating five months creating the final art for this book: learning Photoshop, (thank you Kevan Atteberry for help with that); collaborating with my sister Kate McGee, (I did the black layer, Kate did the color), and figuring out what the art would look like.

ss3

ss4

ss5

And now, except for the cover, it’s done.

What next?

 I am reminded of a family story. My mom and dad raised five kids.

mcgeekidsski281

That meant every three years between 1962 and 1975 they joined the audience on the football bleachers at Sonora High on a beautiful June evening to watch one of their kids graduate. After the youngest, my brother Tim, was handed his diploma, Mom turned to Dad and said, “Well, Harve, what shall we do now?”

I know. It’s not really comparable. Mom and Dad worked on their project of raising kids for thirty years. Theirs was a much bigger “what next?”

LITTLE WOLF’s been growing in my mind and studio for less than a year and a half. But I did become very fond of him and will certainly miss the almost daily interaction with Kate as we worked on the art.

My cousin Jerry has a quote for times such as these. It’s advice from 1790: “The most sublime act is to set another before you.” – William Blake, Proverbs of Hell. Blake was in his mid thirties when he wrote that, and already he’d produced an impressive body of work: books and engravings, both. Clearly he leapt forward to each next task quickly and with joy.

Screen Shot 2016-04-13 at 4.37.06 PM

But I am feeling a little empty. All I could do for Little Wolf has been done, (except for the cover). His boat has sailed.

I suppose this is why some author/illustrators work on more than one project at a time: to make it easier to face the end of possibilities when you send the artwork away.

I told Bonny Becker, (fellow BATT blogger), that I was having trouble letting go of Little Wolf. She reminded me of a picture book idea I had floated awhile back, a story that started with a mouse squeak.

“Get to work,” she suggested.

p.s. Mom took up air racing.

momplane280

ADDENDUM

Our critique group met Tuesday and Julie Paschkis brought along a special tin of tea. It’s BATT Brand Finis Tea, made in Seattle and London. Ingredients: Wit, Wisdom, Labor & Love of Bonny, Julie, Laura, Margaret and Julie. Directions: Steep tea for three minutes and 32 seconds. Sip slowly and savor the sensation of sending it off.

We toasted Little Wolf with our mugs of berryblossom white tea. I get to keep the tin until the next member has a book to send off. A tradition is born. Thank you, Julie!