Monthly Archives: February 2021

February: The Bits-and-Pieces Month

I’m not sure why I think of February as a bit of a pretender in the January-to-December calendar. It could be the lack of a satisfactory ending: finished in a too-tidy 28 days, so some days go missing. It could be the lack of a proud identity: it’s surrounded by the more illustrious months, January (“I’m the beginning of a brand new year!”) and March (“Spring will be arriving before I’m gone!”) Or it could be the awkward unprounounced “r” at the heart of it (does anyone say Feb-ru-ary rather than Feb-u-ary?) which feels a little “presumido” as they say in Spanish. A bit pretentious and effortful. I remind myself right now that it has Valentine’s Day…so romance, love, roses…maybe I’ll cut it a little slack? Or maybe I won’t, because every February I wish I could escape the Pacific Northwest and go someplace less gray and less rain-soaked.

In any case, I feel like it’s a month that merits a collection of thoughts, so I offer up some interesting bits and pieces that have been on my mind and on my desk.

  1. I’m celebrating a new book, Nathan’s Song, by the talented Leda Schubert. It’s one of those perfect picture books; Leda knows what she’s doing: not a word too many, not a word too few, exciting illustrations, and a story I love. It’s based on Leda’s real grandfather, a young Russian Jew who yearned to study opera in Italy, left the shtetl to do just that, and accidentally (he got on the wrong ship) became an immigrant in New York City. Wonderful book – if your local library doesn’t have it, encourage them to purchase it. Or, even better, order it and add it to your collection. Leda has recently posted photographs of her grandfather on Facebook; here is one of Nathan with his sister, and another of just Nathan:

2. Next, a heads up for tonight, literally: Friday the 26th is the best night for viewing the Snow Moon. Which is also known as the Big Hoop Moon (Cheyenne), the Sleet Moon (Comanche), and the Big Bear Moon (Tlingit.) By the way, February has no full moon every 19 years. Another example of its fragmentary nature?

The full super snow moon rises, Saturday, Feb. 8, 2020, at Smith Rock State Park in Oregon. (AP Photo/Ted S. Warren)

3. Julie Paschkis’s wonderful post two weeks ago looked into pianos: learning to play them, reading about them. So I follow up with an unrelated “Piano” of my own: I recommend the book Atlantis by Carlo and Renzo Piano. The subtitle is “A Journey in Search of Beauty,” and it follows the trip by sailing ship of Carlo Piano, a journalist, and his famous father, Renzo Piano, the architect of the Pompidou Center, the Whitney Museum, and the new New York Times Building, among many other famous structures. I especially liked Chapter 16: City of Music, which offers up this interesting observation when discussing the call of sirens (the kind that seduce sailors, not the kind that sound an alarm): “There are plenty of theories about sirens….Some believe that what gets mistaken for sirens are rogue waves that produce melodies.” There’s a poem in that if anyone wants to write it. And here’s an interesting passage for another poem: “Sound is air quivering in space, physicality. .An architect is a constructor of music boxes. When designing a concert hall, merely achieving acoustic perfection is insufficient. An architect must also give it character. And he has to grant everyone access to the same emotions at the same time. One of the beautiful things about listening to music is that we listen to it together.” Piano goes on to talk about the lightness of music and the heaviness of architecture. Pure poetry.

That’s it for now: two bits and one piece, or one bit and two pieces.

Oh. One last bit-let (aka trivia): Did you know that February used to have another name? In Old English it was called Solmonath – which some translate as “mud month.”

No wonder I’m dreaming of Oaxaca!

THIS….?
…OR THIS?

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Piano

Drawing by Saul Steinberg

Pianos are splendid. Here is a book that explains with brio how they came to be.

My friend Julan Chu, a gifted pianist, lent me a fine, shiny piano. It felt wrong to have it and not to play it, so I began to take lessons again last January.

Julan Chu -portrait by Julie Paschkis 2003

My lessons became virtual when the pandemic arrived, and they also became more important to me. The discipline of practicing scales and pieces has been an anchor (a metronome?) during these strange times.

In the book Dancing Hands, Margarita Engle tells the story of the pianist, composer and singer Teresa Carreño, who immigrated to the U.S.A. from Venezuela during the Civil War. This book tells the story of the power of music in light and dark times- like a piano it conveys a whole range of emotions. Click here for a link to the illustrator Rafael Lopez’s fantastic blog about how he illustrated the book.

Although I am practicing and playing through dark and cloudy times, you wouldn’t illustrate my attempts with vivid blossoms. My hands stumble and squawk more often than they dance.

Christoph Niemann

But it is interesting to try, and it is satisfying to see incremental change. Every once in a while I can make music.

Petr Vasilievich Miturich

When I am at the piano I need to let everything else go, which is difficult. I realize how fractured my attention has become. Practicing requires presence.

In May Christoph Niemann published a graphic essay in the New York Times about the solace of learning piano as an adult during the pandemic.  (Click HERE for a link.) He brilliantly illustrated the pain and the pleasure of the practice. Now he has turned that essay into a book: Pianoforte.

His illustrations are perfectly compressed ideas – succinct, funny, and true to my experiences.

He shows the frustrations …

the side benefits…

and the ephemeral pleasures.

 

I had to include actual music in this post!  Please click HERE for a link to Ballade No. 15 , composed by Teresa Carreño, played by Alexandra Oehler.

And here is a link to the website of my fantastic piano teacher, Carrie Kahler. She teaches young children as well as adults. Because the lessons are virtual you could sign up no matter where you live.

What has kept you going during the pandemic? Please share your thoughts in the comment section. Thank you.