Monthly Archives: March 2017

Pysanky

Pysaty is the Ukrainian verb for writing. Pysanky are decorated eggs: the decorations are written with beeswax which resists the layers of dye.

My family has dyed pysanky for years. My sister Jan and her husband Greg host an annual neighborhood egg decorating party. I was inspired by the party and the eggs to write a book about an eccentric hen (P. Zonka) who lays beautiful eggs. Here is a link to an earlier post about that.

Last spring I went to eastern Europe with my friend Ingrid. Her friend Vova took us many places, including a surprise visit to the Museum of  Decorated Eggs in the Carpathian mountains.

It was egg-mazing, egg-zilerating, egg-xactly the place to see pysanky: old, new, simple, intricate, subtle, colorful, masterful, plentiful.

Pysanky are rich in beauty and symbolism. To the sun worshippers, eggs were magical objects representing the rebirth of the earth. The colors and the patterns of the decorations all have symbolic meaning. For example: the spiral, or snake, is a strong talisman of protection. If an evil spirit enters the house it will get trapped in the spiral.

The Huzkuls of the Carpathian mountains believed that the fate of the world depended on decorating eggs. If not enough pysanky were made each year  a horrible monster named Pekun would break free from his chains and destroy the world.  So please do your part and decorate some eggs! Here is a link to a youtube video that shows how. Have fun (and save the world).

P.S.: Here is a  glossary of mouth pleasing egg words for those of you that are more interested in pysaty than pysanky.
Malyovanky: Painted eggs
Krapanky: Dot eggs
Dryapanky: Scratched eggs revealing white shell
Krashanky: Eggs dyed a single color
Nakleyanky: Decorations glued on
Travlenky: Etched eggs
Biserky: Beads embedded in the beeswax.

The Art of Pochoir

I bought a new book recently.

Pochoir is a technique for hand stenciling. I have been experimenting a lot with stenciling in my own work lately, but I had never heard the term Pochoir until a friend mentioned it a few months ago (thank you Jennifer).

Pochoir was used in the 1910s – 1920s in France as a way to colorize fashion plates in women’s magazines. By using rounded brushes, layers of watercolor or gouache paints are applied by hand through stencils, gradually building of layers of soft color. Usually the plates were printed with line art first.

I haven’t read much of the book yet, but I’ve spent plenty of time looking at the pictures.

The women all seem to be swooning or lounging.

Or smelling flowers.

Or in bad weather.

Their bodies are all long lines and arcs.

Many have very long necks.

They like birds.

Some are exotic.

Some possess mystery.

They have whimsy.

And a sly sense of humor.

What a wonderful era of illustration to peruse. Ooh la la.

Butterflies and Books

Illustrations depicting books and reading tend to feature certain animals over and over. Cats, cats and more cats is one motif. Birds show up quite a bit. And, I’ve noticed in my collection of images about books and reading, although insects are a rare element, there’s one insect that is clearly the favorite.

Winged, fanciful and echoing the shape of a book, it’s easy to see why artists choose the butterfly.

This week, I wanted to share some of the images I like. Most are simply pretty:

Illustration by Duy Huhnh

 

Illustration by Marco Palena

No credit found

No credit found

 

But some have a little more to say:

Illustration by Linda Apple

 

And after all that pretty, I like the vigor of my friend and co-blogger Julie Paschkis’s reading acrobat and his butterfly friend.

Illustration by Julie Paschkis

 

This one is intriguing to me because the butterflies are so flat. Were they flattened in the book and now are set free? Are they dead or artificial ideas even if they can fly off the page? Or just the play of thoughts for this absorbed reader?

Illustration by Jannike Vive

 

There’s one illustration I have to include. I say dragonflies are close enough and perhaps, as even their name suggests, they subvert the sweetness of the butterfly imagery. I love the mischief in this young reader’s eyes.

Illustration by Noemi Villamuza

 

 

Lady Curiosity

Well, I thought I would be posting today about the Boston Public Library. In my opinion, public libraries are the best thing about America – they are egalitarian, they encourage intellectual curiosity on a budget, they are the perfect institution for a democracy- it’s clear to me that “huddled masses yearning to breathe free” need a public library.  I spend a lot of time in libraries; I take the library system into consideration whenever I look at a community and think about whether it would be a great place to live. Libraries are a big part of my life, and the Boston Public Library is gorgeous.

boston-public-library

Golden marble everywhere, big lion statues in the stairwell, painted murals twenty feet high, absolutely awe-inspiring. My husband and I visited it last week, during Boston’s mid-winter 60-degree weather (67 degrees in February? In Boston? Impossible!!) when we flew out from Seattle to visit our daughter and her family. I knew posting about the library would be perfect – our readers share my love of books and the buildings they are housed in. So, a post about the library….But then we went to Salem and visited the Peabody Essex Museum and its featured exhibition, The World of Wearable Art.

There was no way not to post about it.

wearable-art-9

When I walked through it, I could just hear a voice in my head saying, “This is what happens when you think outside the box. This is what creativity is all about.” The wearable pieces on exhibit were all submitted as part of a world-wide competition, open to both professionals and amateurs.

My daughter asked us to choose one we would walk down the streets of Salem, Massachusetts, in.  My grandson liked the one you see (above) and took a photo of it (below):

wearable-art-3

My husband liked the one made of wood (below) which was created for the competition by a carpenter. Not that my husband would walk down the streets of Salem in it!

wearable-art-1

And my daughter chose the one you can see just behind it, made of wool flannel and silk. Up close, you can almost feel the heat of it because it seems to be on fire. Here’s a better shot of it:

wearable-art-10

We all agreed that this lobster oufit was spectacular….

wearable-art-6

…and that the one below, made entirely of leather, was unnerving – not sure why. Imagine the lobster or the horse walking toward you down the sidewalk.

wearable-art-4

This one, also on the scary-beautiful spectrum, felt melancholy to me, as if it were moaning:

wearable-art-5

The dress pictured below was my favorite, probably because in the back of it (as part of the bustle) it had a “curiosity cabinet” of strange items on display in glass jars.

wearable-art-7

wearable-art-8

Designer Fifi Colston of New Zealand submitted it to the competition and titled it “Lady Curiosity.” You can read more about Colston’s work here.

One last favorite, part of the bras-only competition, was this one:

wearable-art-2

The iguana is wrapped behind the wearer’s neck; under the animal’s clawed hands are the bra cups.

So I guess the tie-in with writing is this: It never hurts to think outside the box, push yourself, come up with something completely new. Put aside the traditional. Go for the innovative. Go for the jaw-dropping. Understand that being a carpenter can involve building a dress. Combine words, ideas and genres the way people in this competition combined textures and materials – a wooden dress, a horse’s head, a jar-filled bustle. Think flames, fables, lobsters, iguanas. Don’t be afraid to be different. When you write, be Lady (or Lord) Curiosity.