Author Archives: laurakvasnosky

Books that stand the test of time, when time no longer has meaning

A guest post today from my daughter, who is using children’s books to help her through the parenting challenges of COVID:

We’ve heard how the COVID pandemic has brought particular challenges for working parents of small children. Time no longer feels the same, and yet somehow parenting duties have become incessant. As our friend Heidi says, the week only has 3 days now: Today, Tomorrow, and Yesterday. Possum parenting – where the parent plays dead on the couch while the children run feral – can only get you so far; more entertainment is needed. Which children’s books are helping beleaguered parents?

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Old Favorites. Both for parents and kids alike, we all need a little extra comfort and gentleness. The familiar refrains of beloved favorites are like the grandparent’s hug we all crave right now: tender, well-worn, and perhaps a little musty. Stories with a repetitive framework, like King Bidgood’s in the Bathtub, by Don and Audrey Wood, are especially appealing. Will the king ever get out of the tub? Even though we all know what’s going to happen next – after the knight checks on him, after the queen checks on him – we all can’t wait to see how it unfolds. At the same time, it allows Mom to live vicariously through the ultimate dream of a daylong bathtub (even if it is interrupted periodically for matters of great import).

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Shiny and New-to-you. Never underestimate the power of novelty to buy yourself a few moments of sibling harmony. With the library closed, and our bookshelf on constant rotation, adding a new book to our collection has outsized value. We’ve especially appreciated books that take us on new adventures, since we ourselves are staying close to home. One recent new addition for us was Marc Martin’s A River, whose languid rhythm and dreamy pictures lead us on an imaginary journey from a city through the Amazon to the sea and back.

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Another favorite is Marianne Dubuc’s Up the Mountain Path, where we follow along with an intrepid kitty named Lucy and her mentor Mrs. Badger on a mountain hike to a great view, but with an ultimate destination of true friendship.

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Silly Stories Kids Love that Won’t Drive Parents Bonkers. In the “before times,” you could read your kid their favorite story 10 times over from a place of grounded patience and understanding. When you’re starting from a base of sleep deprivation and overwhelm, set yourself up for success with stories that will make you and your kids laugh. Eat Pete, by Michael Rex, is a particular favorite of my three year-old and his beloved granddad. A monster appears at Pete’s window, and Pete invites him to play, but all he wants to do is eat Pete! The monster puts off the inevitable as long as possible, enjoying playing pirates and blocks instead of indulging in a boy-sized snack, and (spoiler alert) he finally gives in and eats Pete. But as we’ve found out during quarantine with chest freezers full of popsicles and no one to share them with, a full belly is no substitute for a playmate. A big burp later, and the Monster’s redemption is complete: a tiger can change his stripes. Enjoy reading this to a soundtrack of your kiddo’s delighted giggles as the monster navigates his impulses, learns about social expectations, and indulges in a hearty belch and even heartier hug.

Here’s hoping these books and ideas can bring parents a few moments of wonder, delight or calm as you keep on keeping on. As I remind myself every time I think “I can’t do this,” remember you ARE doing this!

p.s. from LMK – Thank you, dear daughter, for writing this post and for hanging in there with the little guys through “the germ season,” as the kids call it. With all you have on your plate, you created a blogpost, too! Incredible.

Dear readers: Please add titles that stand the test of time with your little ones, be they old favorites, shiny new or silly.

The STAY Inside Story

For 22 years, the Inside Story has chugged along, staging twice-yearly gatherings at libraries and bookstores to celebrate new books created by Seattle-area children’s authors and illustrators. The goal is to give each book creator two minutes to share something unique and insightful about their book’s creation; to share the story behind the story with the larger children’s book community of teachers, librarians, booksellers and children’s book aficionados. 

But this spring, as you well know, quarantine circumstances prohibited gatherings. Organizer Dana Sullivan was not deterred. He stamped “STAY” across the top of the Inside Story logo and thus the “STAY Inside Story” was born.

 Dana and Michele Bacon are the current caretakers of this Society of Children’s Book Writers and Illustrators event. In previous outings, their tasks included sending out the call to local SCBWI members, setting up venues, coordinating with a bookstore to sell participants’ books, creating programs, and emcee-ing the show.  

The new virtual format demanded an expanded skill set. To his customary roles of illustrator, designer, and web-content creator, Dana added participant coach, rehearsal director, and technology troubleshooter. His sense of humor leavened the challenges, including navigating Zoom webinar technology, with the help of Michele and SCBWI co-chair Julie Artz.

Co-chair of the STAY Inside Story, Dana Sullivan, emceed the event with humor and panache.

You can see the program of presenters and their books here: http://www.danajsullivan.com/inside-story-may-2020.html

It’s an entertaining lineup, including BATT’s own Julie Paschkis and Margaret Chodos-Irvine who showcased their lovely new picture book, Where Lily Isn’t, and Vikram Madan, whose spiel about his poetry collection, A Hatful of Dragons: And more than 13.8 billion other funny poems, included a magic trick.

Suzanne Selfors, new proprietor of Liberty Bay Books in Poulsbo, coordinated book sales through a special section on her website, working with presenting authors and illustrators to provide signed books to purchasers. https://www.libertybaybooks.com/event/scbwis-inside-story

Afterwards, Dana created a YouTube video of the event, which you can see if you click on this link. https://www.youtube.com/watch?v=NHpaKmWh-Y0

George Shannon and I, who created the Inside Story in 1998 and ran it for the first five years, had cameo roles in the opening scene. We both tip our virtual hats to Dana and his team for this successful first-ever STAY Inside Story. It was so heartening to see our children’s book community rally despite being unable to gather. In fact, attendance topped 100 viewers, a record!

For the inside story about the Inside Story, check out my blogpost from 2013. https://booksaroundthetable.wordpress.com/?s=Inside+Story

There’s No Place Like…

Since March 12, we have had a chance to decide if Dorothy is right, if there truly is no place like home. Our enforced staycation has given us all lots of time to think about what ‘home’ means.

It’s a common theme of literature: the hero’s journey takes him out and away only to return home, changed, to a hot supper.

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Home. Such a perfect word. The sigh of the initial ‘h,’ the round ‘o,’ the ‘m,’ which can be drawn out ‘mmmmm.’

In the early 2000’s I spoke at a joint Oregon and Washington library gathering. Organizers asked participants to respond to the question: “What is ‘home’ to you?” I remember Lois Lowry said home was her mother singing in the kitchen. And Jacqueline Woodson, who had a new baby, said home was the curve of her daughter’s neck, that little nuzzling place.

Their answers engage the senses – the sound of singing, the touch of a warm baby – because home is a place we know with our senses. The smell of oak duff takes me to my childhood home in the Sierra foothills, as does any starry, starry night.

But no matter where your physical house is, it’s the people there that make it a home. Anyone who has experienced homesickness knows the truth of the old axiom “Home is where the Heart is.” No matter how good a vacation is, it’s always comforting to come home to your own bed.

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Have you ever taken a walk through your neighborhood at dusk, when neighbors have their lights on but before they have shut the curtains? In every picture window there’s a vignette of home being experienced: kids playing, a family eating dinner, a mother rocking a baby. Lots of stories going on.

These days we get glimpses into peoples’ homes because of the necessary reworking of live TV shows. For instance, if you watch American Idol, the contestants are broadcasting from their homes. You get to know them a little better: the freeway is off in the distance from one guy’s porch, another has a couch full of kids watching.

Screen Shot 2020-05-15 at 9.03.30 AMYou can’t help but imagine their lives as revealed by their homes. It’s an interesting insight, especially for we nosy writer-types.

I’ve become fond of Jimmy Fallon’s home edition, videoed by his wife on an iPhone. He is so charming with his two little girls on his lap, reading the evening’s jokes – and what an interesting house!

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 John and I realize we are lucky. We have each other – that’s what home is for us – and a roof over our heads and access to just about anything we need – and two little grandboys who are on their way over here right now. Maybe they will build a fort of sofa cushions and blankets. A home in a home.

My heart goes out to those whose housing is uncertain and healthcare and food sources iffy.  The inequalities in our land-of-plenty are laid bare by this crisis. As we recover from the corona virus’ impact, I hope we will take the opportunity to reset our communities, and services, and country with compassion and inclusion. Here’s a chance to do things better, to take better care of each other, to offer everyone the welcome of home.

Wishing you all the best during our “safe at home” days — and wondering; When you click your sparkly red heels, what is ‘home’ to you?

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Authors Connect with Kids Stuck at Home

Last month, many U.S. schools were closed until the end of April to try to slow the spread of the corona virus. This week, our Washington Governor, Jay Inslee, announced state schools will likely not reopen until fall. All these closures have sent parents scrambling for study space, learning materials and content.

Luckily, Erica Rand Silverman, who works for the Stimola Literary Studio, had an idea how to fill that content need. Within days of the first closures, she contacted the authors and illustrators the agency works with, asking them to contribute programs – and StimolaLive.com was born.

Launched on March 23, the programs run on weekdays for kids of all ages. So far, they include picture book readings, a sing along, a bake along, and wonderful workshops on myriad aspects of writing and illustration. After each program is livestreamed, it is transferred to the Stimola Live YouTube channel for future reference.

On April Fool’s day, with help from my husband John, I jumped into the livestream. My event included reading Little Wolf’s First Howling and a workshop about creating a character based on a stuffed animal, as I did with Little Wolf and A.A. Milne did with the Winnie the Pooh crew. Clearly, it’s my first attempt at livestreaming, but I was pleased to get my toes wet. See here.

Erica juggles her new livestreaming project with literary agent tasks and family duties, but she found time to tell us more about Stimola Live. What follows is our Q and A.

How did you get this idea? 

I was near other parents when we received the news that school was going to close. The look of fear on all their faces would have been funny if it wasn’t such truly devastating news. Most of them were worrying how they would be able to continue engaging their kids authentically on their own. They were worrying that one of the first things to slip would be their kids’ reading skills and interest in books. The idea for Stimola Live came flying in at the very moment – our authors and illustrators can help to create content that parents can feel good about using with their kids. It’s a win for the parents who are desperate to keep their growing readers engaged. A win for authors and illustrators who want to stay connected to their readers. And, a win for booksellers who desperately need patrons to remain invested in book buying (we link to booksellers – often indies- on each event page!). Honestly, it grew into something bigger and better than I could have ever imagined! I called author-illustrator, Shanda McCloskey, to ask her to participate and three sleepless days later she and her husband had created a website and logo for it! Then, my colleague, Allison Hellegers, had the idea to save the livestreams as videos to a Stimola Live YouTube channel.

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Erica Rand Silverman and her boys. She writes, “This is from the first day of school this year which is particularly bitter sweet.”

What kinds of challenges did you have to overcome to create Stimola Live?

The biggest challenge has been figuring out the technology end of things. We learned a lot as we went through the process, like which platforms are easiest to save the video from, which platforms allow for interaction, which are difficult to use because of overcrowding. Some of the livestream platforms translate well to a saved video and some aren’t as good. We had over 50 participating authors and illustrators each with their own questions and challenges. It was a lot to manage but incredibly satisfying at the same time.

Can you offer recommendations per age level or guidance through the offerings?

One of the best things about Stimola Live is that the livestreams and saved video content range in age from preschool to teen. There is truly something for everyone. Each event page on StimolaLive.com lists appropriate ages directly in the event title, and on the Stimola Live YouTube channel we organize videos by age as well.

Unexpected benefits? Response?

I loved unexpectedly bumping into [Stimola Literary] Studio authors and illustrators at the different live stream events. Authors and illustrators who might not have known each other well before were able to tune into each other’s live streams and participate. I loved seeing them (and their own children in many instances) participate. It helped to create even more camaraderie and community at the Studio itself. There may be 15 people attending the livestream with you or 300. Either way, when you’re able to see each other tune in and read each other’s comments, you really feel like you’re all in the room together.

It has also been amazing to see that people from all over the world have come to the site! People have visited from Canada, Germany, Mexico, China and more.

Teachers write to us to ask if they can link to Stimola Live or specific events/videos in their Google Classrooms. Those are the best emails to get!

There were instances where some livestreams didn’t go as planned or teachers/students/kids weren’t able to access the event as expected. That was disappointing for all but as we say on the FAQ page, we’re book-makers, not professional livestreamers . . . at least not yet!  We did over 60 events in two weeks! There were bound to be some mistakes and all the viewers were really kind about it.

Going forward we’ll continue to host events and will now be able to refine them based on everything we learned. We love feedback and suggestions. So, please let everyone know that they can email us at info@stimolalive.com  and if they want to know when we have more events going up they can subscribe to the newsletter – https://www.stimolalive.com/newsletter/

• • • • •

Thank you, dear husband and quarantine mate, for helping me participate. And thank you, Erica, for inventing this wonderful river of connection and sharing the story of its beginnings with our BATT readers. 

Reading the Times

WE’RE SITTING TIGHT here in Seattle, at the U.S. epicenter of the coronavirus, while news of Boeing’s 737 Max crisis, the Democratic primaries, and the stock market’s volubility swirl around us.

How to stay calm in these stressful times? Curl up with a good book.

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From its first sentences, a good book opens a door into the story and you are welcomed in. Everything in the ‘real’ world – from big concerns, like global warming and homelessness, to the quotidian, like the dog’s teeth that need brushing, and piles of laundry, and unpulled weeds – everything fades away. You may find yourself with that other Laura, settling down to sleep in the loft of a Little House in the Big Woods, or howling with a wolf pup on a faraway mountainside, or summoning an owl messenger to Hogwarts with a certain boy wizard.

Stories give us a chance to live forward and backward in time; to inhabit other places, be they real or imagined. We can put on the skin of a dragon or a fox or another person. In stories, we can experience things that are way too scary or infuriating or heartbreaking to experience in real life. If, subsequently, our own lives serve up fear, or anger or heartbreak, sometimes it is a story that helps us through, offering information and comfort.

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The wonderful irony is that while a story can offer refuge from the ‘real’ world, it also has the amazing power to connect. We humans are story people. I wrote about the chemical reason for this in my last post.

When we share our stories – in both reading and writing – that connection leads naturally to empathy, an empathy that sends us back to the ‘real’ world refreshed for the challenges ahead. I like how Barrack Obama put it: “The thing that brings people together to have the courage to take action on behalf of their lives is not just that they care about the same issue, it’s that they have shared stories.” I hope other politicians know about this.

WE MADE A RUN to Costco Sunday and I can assure you that should we be quarantined because of the coronavirus, we have sufficient maple syrup, guacamole and toilet paper for the duration. More importantly, should the weight of the current news cycle become too heavy, the Seattle Public Library offers an escape to ebooks and audiobooks, all easily downloaded from the comfort of our isolation.

We’re up to the challenge, here, holding down the northwest corner of the map. But a little bibliotherapy may be necessary.

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The characters from Little Wolf’s First Howling, as featured in the Mazza calendar last year. Thanks to my sister Kate Harvey McGee for the lovely colors.

 

 

 

 

Story Chemistry

“In many shamanic societies, if you came to a medicine person complaining of being disheartened, dispirited, or depressed, they would ask one of four questions: “When did you stop dancing? When did you stop singing? When did you stop being enchanted by stories? When did you stop being comforted by the sweet territory of silence?”     – Gabrielle Roth

I think she’s got it right – better mental health through dancing, singing, being enchanted by stories, and comforted by silence. To which I would add two more questions: When did you stop gardening? and When did you stop hanging out with your dog?

But that story thing. That’s what’s on the plate here today. Stories. From daily incidents – what elementary school writers call “small moments” – packed with meaning and humor and pathos, to the big arcs of a lifetime that spool out of the ephemera of past generations. Through stories, we connect. It is one of my favorite things about being human.

Turns out there is a chemical reason why we find stories so satisfying, according to neuro-economist Paul Zak. Zak measured his subjects’ brains’ oxytocin before and after watching character-driven videos. The oxytocin levels took a definite jump.

His verdict: human beings are “wired for story.”

You know that pleasurable feeling you get from a good story? That’s oxytocin synthesizing in your brain. In further studies, Zak found that the more oxytocin a person released, the more likely a person would be willing to help others, for example, by donating money to charities associated with the video’s narrative. This mechanism will play out repeatedly Sunday in Superbowl commercials whose stories will tug your heartstrings and then your wallet, all in 30 seconds flat.

Zak wrote, “Many of us know from Joseph Campbell’s work that enduring stories tend to share a dramatic arc in which a character struggles and eventually finds heretofore unknown abilities and uses these to triumph over adversity; my work shows that the brain is highly attracted to this story style.”

Zak noted people respond most strongly to narratives with beginnings, middles and ends that used dramatic tension to sustain attention. That’s the basic structure of many Superbowl commercials – but also of typical picture books. Here are some examples from our BATT  group:

Margaret and Julie P’s recent Where Lily Isn’t, the tender story of a little girl struggling with the death of her dog.Screen Shot 2020-01-30 at 6.31.38 PM

Bonny’s The Frightful Ride of Michael McMichael, where a small boy finds a surprising way to deal with a scary bus driver.

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My sister Kate’s and my Little Wolf’s First Howling about a wolf pup finding his voice.

Screen Shot 2020-01-30 at 6.32.16 PMThe same story structure is also found in a spare form in this poem from Julie L.’s Imaginary Menagerie, illustrated by Julie P.:

Firebird

Who will bring me golden apples?

Calls the firebird

From her silver tree.

Who will sing me a golden song?

All day she waits

In the tsar’s garden.

Who will set me free? Who?

If given a feather

Bright as heaven,

Would you?

I still wonder why stories have this oxytocin-releasing affect on our brains. Perhaps over the eons, as humans evolved, stories were necessary to survival. I like that hypothesis. Meanwhile, let’s just enjoy the pleasure of good stories, as they spark our ability to connect, to empathize and to make meaning.

Year-end Musing

Are there parallels between building character – as in becoming a mature, evolved human being – and building character, as in creating an interesting protagonist for your story?

David Brooks is talking about that first kind of character building in his book, The Road to Character. But I wonder how his ideas might relate to the work we do when creating story characters. I am especially interested in what he calls the “agency moment,” and how that might apply to characters in picture books. Does a story character’s agency moment provide a compass for the plot?

Brooks uses the example of Victorian novelist George Eliot to introduce this idea of the agency moment. Eliot, he says, was an emotionally needy young woman in her 20s who declared her love to the philosopher Herbert Spencer at age 32 in a letter:

“Those who have known me best have already said that if ever I loved any one thoroughly, my whole life must turn upon that feeling, and I find they said truly,” she wrote.

She asked him not to forsake her, “If you become attached to someone else, then I must die, but until then I could gather courage to work and make life valuable, if only I had you near me. I do not ask you to sacrifice anything — I would be very glad and cheerful and never annoy you.”

Brooks writes, “You might say that this moment was Eliot’s agency moment, the moment when she stopped being blown about by her voids and weaknesses and began to live according to her own inner criteria, gradually developing a passionate and steady capacity to initiate action and drive her own life.

“The letter didn’t solve her problems. Spencer still rejected her. She remained insecure, especially about her writing. But her energies were roused. There was growing cohesion and, at times, amazing courage.”

She published Middlemarch at age 52 in eight parts, 1871-72.

I searched my library for examples of agency moments to see how that notion plays out in picture books.

Marion Dane Bauer’s Winter Dance, illustrated by Richard Jones, revolves around a fox’s question, “Winter is coming…What should I do?” The fox asks caterpillar, turtle, bat, geese and bear. But she is sure what works for them will not work for her. Then a fellow fox offers a solution: “When a million snowflakes fill the air, twirling, tumbling, spinning, waltzing, you and I join them.” The questing fox has an agency moment, tapping into her innate capacity to initiate action and drive her own life. She responds:

“Of course,” says the fox, standing tall. “Because that’s what we fine red foxes do in winter. Dance!”

A moment of agency is front and center in fellow-BATT blogger Margaret Chodos Irvine’s Ella Sarah Gets Dressed. Ella Sarah states her wardrobe choices very clearly on the first page: “I want to wear my pink polka-dot pants, my dress with orange-and-green flowers, my purple-and-blue striped socks my yellow shoes, and my red hat.” Other family members’ suggestions are spurned

and her choices are confirmed by her just-as-wildly dressed friends who visit at the end.

In my own Little Wolf’s First Howling, illustrated with my sister Kate Harvey McGee, Little Wolf’s agency moment comes at the turning point of the story. “Little Wolf’s heart swelled with wildness and joy. He knew it wasn’t proper howling form, built he had to let loose.”

Seems related to David Brooks’ explanation: “Agency is not automatic. It has to be given birth to, with pushing and effort. It’s not just the confidence and drive to act. It’s having engraved inner criteria to guide action.”

In Libba, Laura Viers’ picture book biography of folksinger Elizabeth Cotten, illustrated by Tatyana Fazlalizadeh, the agency moment comes early in the story, early in Libba’s life, when she sneaks into her brother’s room and figures out how to play his guitar, though she is left-handed. “She turned the guitar upside down and played it backwards…Nobody else played that way, but it was the way that felt right to Libba.”

I polled various friends and family to see if they could point to a single agency moment in their lives. Several thought it would need to be something big. And not one could point to just one moment. This is true in my own experience, as well. It is many small moments that coalesce over time, viewed retrospectively, that shape our true and, hopefully, evolved selves.

When creating a story, however, you have the luxury to choose your character’s agency moment in a way that reveals the most compelling narrative.

Here’s to Happy 2020 dear BATT readers! Come January, the five of us have taken turns posting here for eight years. Eight years! We appreciate your reading and sharing your thoughts in the comments discussion.

Poems That Are Part of Me

It falls to me to complete this tour Around the Table, our fifth post about poems we met as children.

Certainly my sense of language and story were shaped by the many poems our mom read to us five children at bedtime. I especially loved There Once Was A Puffin by Florence Page Jaques (1890-1972), and proposed it as a text that I would illustrate for Dutton Children’s books early on in my career. It came out in 1995. The dedication reads, “To Mom, in whose voice I hear this still.”

Oh, there once was a puffin

Just the shape of a muffin,
And he lived on an island
In the bright blue sea!

He ate little fishes,
That were most delicious,
And he had them for supper
And he had them for tea.

But this poor little Puffin,
He couldn’t play nothin’,
For he hadn’t anybody
To play with at all.

So he sat on his island,
And he cried for awhile, and
He felt very lonely,
And he felt very small.

Then along came the fishes,
And they said, “If you wishes,
You can have us for playmates,
Instead of for tea!”

So they now play together,
In all sorts of weather,
And the Puffin eats pancakes,
Like you and like me.

 This poem was previously published in Child Life magazine and then reprinted in The Big Golden Book Of Poetry by Jane Werner Watson (1947).

Other childhood poem favorites were by A.A. Milne: Binker in Now We are Six, and Disobedience in When We Were Very Young, all with wonderful “decorations” by Ernest H. Shepard. I loved reading A.A. Milne’s poems to my own children and look forward to sharing them with grandsons, too.

Binker is about an imaginary friend who never lets the young protagonist down.

A sample:

The curious Disobedience is about a mother who does not mind her three-year old’s rules, which made me wonder if my mother needed better taking care of.

Here, in it’s entirety:

DisO1DisO2DisO3DisO4

 

Last but not least, here’s a shout out to the story-poems that Mom recited by heart. Once when I burnt my hand badly and couldn’t sleep, Mom sat beside my bed long into the dark night. I was comforted by the glow of the tip of her cigarette and her beautiful voice reciting one poem after another: The Flyaway Horse, The Owl and the Pussycat, The Highway Man, Custard the Dragon. Those cadences are as much a part of me as the genetic material I inherited. Little did she know she was nurturing a writer.

 

 

 

 

CAUSE AND EFFECT

Sometimes you don’t know the meaning of a picture book project until you are well into the work. So it was for our new book, SQUEAK!

The text and thumbnails were done and sketches well underway on a beautiful morning in Spring 2016 when insight struck. It hit during our docent group’s tour of Dunn Gardens, led by then-head gardener Zsolt Lehoczky.

As we headed out onto the Great Lawn – which is an important feature of this 100-year old Olmsted-designed estate garden – Zsolt noted the lush grass was pocked with gopher mounds. He explained that the rich soil attracts lots of worms and the worms attract the gophers.

I was walking beside fellow-docent Elizabeth Conlin. Under her breath, she murmured, “We’re all in this together.”

And I realized that’s what SQUEAK! is about. It’s the story of how, in a cause-and-effect way, a little mouse’s squeak can wake up all the animals in the meadows and mountains. “We’re all in this together.” Elizabeth’s comment became the epigraph for the book.

SQUEAK!  itself caused a further effect: I have come to know Elizabeth better. It turns out this cause and effect mechanism is key to her way of being in the world. She writes:

“I was tickled about the meaning of SQUEAK! when you told me about it. We were standing outside the classroom and I think the wisteria was in bloom. I’ve thought about it often. I love the possibility of kids experiencing your book and realizing that every sound and every movement they make can reverberate far beyond their imaginings. I love the idea of children being exposed to that concept.

“We are, essentially, vibration. The only true choices we have are in how to use and direct our energy/vibrations. I became a Kundalini yoga teacher when I discovered that I have the ability to positively effect the people I come into contact with — that I could learn to do it better and more consistently with just my vibratory frequency.”

When you put a book out into the world, you really don’t know what the effect will be, much as the mouse in SQUEAK! has no idea his tiny utterance will awake an entire ecosystem. Books themselves are both a cause, and the result of a lot of effect.

•• • • •  •  •   •

Next Monday evening, Sept. 16, at 5 pm, we will have the first public reading of SQUEAK! at Seattle’s University Bookstore. We plan a participatory reading. Everyone who comes can be part of the cause and effect of the story. The initial squeak will come from our grandson Otto, age 2, in his mouse suit. You are invited to get in on the fun. Plus, there will be snacks!

Note: Dunn Gardens is open through October and offers docented tours as well as ‘wanders.’ It is one of Seattle’s secret treasures. For more information about visiting: https://dunngardens.org/visiting-tours

 

 

 

 

 

Fox-founded Friendship

In December 2015, I received an email from a father in Novato, California: “I wanted to write you because you’re my daughter’s favorite author. And we just wanted to let you know how much we LOVE the Zelda and Ivy series! I wanted to thank you for writing and illustrating the book series my daughter will always remember as her childhood favorite. You are truly a hero of hers!”

He went on to say how they have several copies of each of the six Zelda and Ivy books and that they’ve done all the crafts on my website.

“And last year our family had a baby sister, and my older daughter thought Ivy would make a perfect name. And honestly, we were a coin flip away from naming our second child after your book’s character.” (They named her Zoe.)

Luna and Zoe and their fox friends.

As the years passed, Luna, the older daughter, began a tradition of making a yearly Christmas art project that related to Zelda and Ivy: Z&I Christmas ornaments for the tree, an elaborate Lego Z&I house, including outdoor sandbox, swing, pirate hideout, lemonade stand, birdbath, bunkbeds, piano – the complete setting of the books.

When we did a launch event for Little Wolf’s First Howling at Charlie’s Corner in San Francisco in April 2017, Luna and her family drove down and we got to meet in person. I invited them, if they were ever in Seattle, to come by my studio for an art project and tea.

At Charlie’s Corner: Luka holding Zoe, me with Luna in front, and Yukiko.

Luna sent another amazing Christmas project last December: a Twelve Days of Advent calendar that has Christmas outfits for Zelda and Ivy paperdolls behind each door.

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Then last month, they took me up on my visit offer. We made gouache resist paintings together in my studio – and chomped on cucumber sandwiches (of course) with tea.

Thanks to Luna’s father, Luka, for these photos.

All of this is the unexpected golden extra – the cream that I didn’t even know was in the offing as I worked alone in my studio cooking up the Zelda and Ivy books.

It makes me smile to re-read Luna’s dad’s note: “Our family has TONS of Zelda and Ivy inside jokes too: we often play Go Fish, joke about cucumber sandwiches, sing “Take me out to the ball game” as a bedtime lullaby, often play pirates, occasionally change our names to Yolanda/Boleo Rose and say “halibut” if something is amiss, Luna got a (velvet-looking) gown (gloves and boa included) last Christmas, and a baton she reluctantly shares with her younger sister Zoe, she also has a Lucky Jewel, camps inside, digs holes to China, creates interesting “concoctions” and much more..”

What is better than to know something I wrote became part of my readers’ family’s lexicon and lives?

When Luna’s family visited, they brought along Fourth of July outfits for the Z&I paperdolls

pdollsand a beautiful illustrated book of Luna’s own, The Fox Princesses, in which sisters named Luna and Zoe team up with Zelda and Ivy to help a bear.

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The cover and the conclusion of Luna’s latest book.

Best of all, was to have these sweet sisters working beside me at the drawing table on a lovely July day, together in that happy hum of creating.

Like Luna near the end of The Fox Princesses, I beamed.