Monthly Archives: October 2017

Greek Sketches

Last week Margaret talked about sketching Lily. Her myriad sketches refined Lily.

This week I am talking about a different kind of sketching – sketches as note taking. When I travel I take lots of photographs – it’s easy with a phone/camera. I like to look back at the pictures.
But on recent trips I’ve also started sketching what I see. I carry a mini notebook and make rough drawings which are neither refined nor beautiful. But somehow the things that I sketch stick with me more than the photographs that I take. Just using my hand helps to embed the images into my brain. Here are some pages from the sketchbooks that I filled in Greece and Turkey in September, followed by some work that sprouted from the sketches.

The sketches became raw material for drawings,  for embroidery, and for paintings.

 

Sketches help me go back to the places I’ve been and to sail out to new places.

Maybe you would find it fun to include more sketching in your life – rough sketches, working sketches, sketch diaries or sketchy adventures.

Here is a poem called Sketch by Carl Sandburg from 1915.

One Hundred Lilies

Last month I confessed to a bout of nerves before starting on a new picture book project. I have gained some calm as I have delved into defining the imagery for the book. I am no longer on the shore. I am wading in.

Of the two primary characters in the book (a dog and a child), it is the dog that I have been working on the most so far.

I have a dog. He is a rat terrier. My initial drawings for Lily were based on him.

But they were rejected for not being cute and cuddly enough. I admit, Nik is a bit angular and bony and he doesn’t have much of a tail.

So I drew a dog very unlike Nik; a furry pooch with a more expressive tail (as I showed you in my last post).

That Lily thankfully got the go-ahead.

Even though Lily the dog appears in less than half of the imagery, I want to be sure of what she looks like and how she moves. The best way for me to do this is to draw lots of character studies. This is how I familiarize my brain with characters so that I can draw them without having to actually see them. I mostly draw characters from my imagination and then seek reference to augment the drawings. It may seem like an ass-backwards approach, but it’s how I feel most comfortable working.

I have drawn a lot of children. Usually I do about five to ten studies per character before starting on illustrations for a book. But I have not drawn a lot of dogs, so I set myself a goal of one hundred Lily drawings. Here are a few of them.

After I had drawn about seventy imaginary Lilies, I thought it was time to find a real dog to look at. Then one day, while walking in the park with Nik, I met Romeo.

I introduced myself to Romeo’s family and they let my take photos of him. Those pictures helped get me up to my three-digit goal.

Now I feel like I know this Lily. She becomes more real to me, each time I draw her.

A Christmas for Bear: Writing a Holiday Book

The sixth book in the Mouse and Bear series, A Christmas for Bear, came out this September.

Holidays are a sure fire subject for a kid’s picture book. These days there’s a book for just about any special day you can name: Arbor Day, Halloween, Easter, Passover, Kwanzaa, Fourth of July… in fact, if you’re looking for a book idea, go through the calendar, pick a marked day, and write. There’s probably an editor looking for one of those.

Christmas is, of course, the granddaddy of all the holidays in the U.S. My Amazon search for “picture books Christmas” netted 6,782 results.

I’ve written two holiday books, both about Christmas. My first was A Christmas Crocodile illustrated by David Small, reissued last fall by Two Lions Press. My latest just came out, A Christmas for Bear, the sixth book in my Mouse and Bear series. It’s getting great reviews, including a star from Kirkus!

As with any familiar topic–bedtime stories, first day of school, a new sibling, a major holiday–part of the trick to getting published is finding a fresh way to talk about it.

With my first Christmas book, The Christmas Crocodile, the idea simply came to me–a crocodile who eats up Christmas. It took years to work it into its published form, but I was pretty confident that there weren’t many books out there featuring crocodiles and Christmas.

My latest, A Christmas for Bear, also had an easy genesis. Christmas was, of course, a natural topic for this very Western-culture-based book series that featured a joyous, celebratory Mouse and an always reluctant Bear. My bigger challenge was how to ring up something new about Mouse and Bear themselves.

Sharp-eyed readers might notice a hint that maybe Bear has presents after all.

I decided to flip things on their head a bit. I wanted Bear to be the one offering celebration. I felt that Bear should be the party guy this time around, so he’s eager to throw his first Christmas party ever. But not being very well versed in  holidays, Bear decides Christmas is all about food, mostly pickles, and a nice Christmas poem (The Night Before Christmas, of course). No presents necessary.

Mouse, naturally, finds the “no presents allowed” idea not so great. And the story centers on Mouse’s attempts to find the present he is sure must be there.

Mouse searches for a present all over Bear’s house.

In today’s world, it’s not that common for commercial picture books to work with the true meaning of Christmas, the birth of Christ. So if you’re not going to celebrate the religious significance of the festival, you substitute other things: love, togetherness, friendship, family, bounty, kindness. Christmas stories are almost always sentimental in one way or another—in fact, it’s one of the few times you can pretty shamelessly lay on the sweet if you want. But I’ve always wanted to avoid getting too saccharine. So for me, humor is the way out. But, even so, I want to say something.

What I remember most about Christmas as a child was how safe I would feel. I didn’t put it that way in my mind. But I knew I would eat well, I would laugh a lot, I would feel close to my family, I would nap in front of the living room fireplace, my father would read The Night Before Christmas, I would have trouble falling asleep. I would get at least one thing the next day that was unexpected and special.

Even though I’m not Christian, I was raised as one. And it’s a little sad to me that we don’t have some shared sense of the numinous, a shared acknowledgment of wonder and awe. But I, and most people I know, are not that comfortable with an established creed. So we really have nothing that calls us collectively to the deep and the mysterious.

So what could I do to evoke some of the values this holiday was supposed to celebrate?

I thought about what the two friends could give each other. Bear gives Mouse a telescope. In my mind, it was a way to evoke that “big thing” that was there in the original meaning of Christmas. For Mouse and Bear (and for me, too) that something big and mysterious can be found under the night sky.

Mouse gives Bear a shiny, red sled. A call to adventure and fun and a time to acknowledge where this series has been going all along—the deep friendship of these two very different characters. This is the real gift of Bear’s Christmas. But I did want to get actual presents in! Good luck making the child reader happy with a pious lesson instead of presents on Christmas morning!

 

 

 

 

 

National Book Award Shortlist

 

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Rita Williams-Garcia

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Ibi Zoboi

Just want to make sure you all know that the shortlists for the National Book Awards have been announced. On the list of five authors for Young People’s Literature are two wonderful writers associated with Vermont College of Fine Arts; first, the brilliant and adorable Rita Williams-Garcia, for her book Clayton Byrd Goes Underground; second, Ibi Zoboi, a graduate of VCFA, for her book American Street. Ibi had Rita as an advisor for her first semester at VCFA and those two must have really clicked. Congratulations to them both…to all five shortlisted authors in the category, actually… (and, as we used to claim gleefully for VCFA when I taught there, “World Domination!”)