Sticks and Stones

The young man was bumping like a pinball through the crowded sidewalk on Greenwood Ave—the “Black Wall Street” of Tulsa, OK.  Suddenly he was hit by two bullets. One hit his shoulder; one traveled around his skull and landed near his nose, a few centimeters from his brain.

To operate presented terrible odds–50/50 odds of survival and even if he lived, he might end up insane at best. He decided to leave the bullet there and lived the rest of his life with it. The man was the father of children’s illustrator Floyd Cooper, shot by a white man in the long-hidden 1921 race massacre in Tulsa.

Cooper told this story as part of a Society of Children’s Book Writers and Illustrators panel featuring ten best-selling, award-winning (from Newberys to Caldecotts)  children’s writers and illustrators of color. In five-minute segments, each creators shared their experiences with racism and racist assumptions, and how that informs their work.

It wasn’t a lecture; it was a sharing of coming to the creative life from many different places.

Author Crystal Allen began her career in middle-grades as any serious writer would with research into the kind of books she wanted to write–African American middle-grade books. But she couldn’t find any on the shelves of her local bookstore. When she asked about it, she was told she wouldn’t find anything on those shelves. Instead she followed the store clerk for “what felt like six days” to the African American section.

In a small dusty room, the clerk pointed to a spindle with a smattering of middle-grade books. The clerk left and Allen says she followed right behind. Later, she was told by an instructor that the reason she couldn’t find any African American middle grades is that publishers wouldn’t publish them. They aren’t marketable she was told.

“Hopefully, you brought something else you can work on,” the instructor said. Allen left that workshop, too.

She wondered if she’d heard the voice of truth.

As a college student, illustrator Rafael Lopez lived on the Mexican side of the U.S. border, but traveled to the U.S. for his classes. He would get up at 3:30 to 4:00 every morning, in order to cross the busy border in time to get to his 8:30 class. Usually he’d arrive 5 to 10 minutes late.

One morning as he entered the classroom, his professor announced, “There he is. Mr. L-o-p-e-z.” The prof said his last name slowly. “Late as usual.”

“That really stung,” Lopez said. “He didn’t know my story, but he judged.”

In the beginning of what he hoped would be a career in advertising, he was offered a job that would have meant creating a demeaning stereotype of Latino “peasants”. The man who wanted to hire him thought his idea for the ad was wonderfully clever and funny. Desperate for money, Lopez considered it, but ultimately turned the job down.

Lisa Yee, third-generation Chinese, was accustomed to living in a very diverse community in West Hollywood. But driving across country to a job a Florida, she found herself the only Asian American around. Most people were very nice, she said, complimenting her on her English, especially her accent.

Yee was more amused, than offended. But one day as she and a friend wended their way along winding roads through small towns, she was intrigued to see that there was some sort of festival or parade happening in the town ahead of them. How interesting it looked. And everyone was dressed in white, a kind of cool costume parade! Then suddenly she realized she as looking at a Klan rally. Still, intrigued, she urged her friend to drive closer.

It was like a movie as she looked out her car window at the crowd. Then suddenly people were turning to look at her and the terror kicked in. She ducked down and told her friend “Get out of here!” It didn’t feel like entertainment any more.

These are just a few of the stories the creators shared. Each had different experiences of being “other.” And yet each also described how they found a haven–a welcoming place, a valid space–in the world of children’s books. And each told how such experiences drive them to make sure their cultures and characters and stories are out in the world.

So maybe no more thin spindles in dusty rooms for diverse books?

You can watch a video of the full panel here.

And check out these other panelists.

Panel organizer, Pat Cummings

Lamar Giles

Meg Medina

Linda Sue Park

Christian Robinson

Shadra Strickland

 

 

Three Little Nudges

If you’ve been feeling uncharacteristically un-creative, you’re not alone. This pandemic has got a lot of us stymied creatively, and understandably so.  But isn’t it true that all we need sometimes are little nudges to get us going again?

So I’ll keep things brief today and just send three nudges your direction.

#1. Best nudge for me lately: WindowSwap – a website that shares photos of views from people’s windows all around the world. Some of the views are simple and domestic, others are sweeping. For example, the view from Lina’s window in Aeschiried, Switzerland…D5088323-D691-4A9F-A83D-C41BEB0AB0F3

…and from Rexina’s window in Bangalore, India…

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…from Simone’s window in Villongo, Italy….

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…and from Ula’s window in Doha, Qatar…

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This WindowSwap nudge is meant to lift your spirits in general, but it can also get your imaginations going.  Just think: Who are Lina, Rexina, Ula, and Simone? Who would you be if one of those views were yours?  What would someone imagine about you if you submitted a photo of the view out a window in your house? When you see the phrase “We’re all in this together,” it’s this kind of sharing that forms connections between people and cultures in times of crisis. We have more in common than some people think.

 

Will you consider your own window view in a new way if you take a photo of it and submit it online for people around the world to see? Here’s the view I might submit, taken from the upstairs bedroom of our house during the neighborhood Sidewalk Chalk Festival.

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#2.  Get inspired tomorrow (Saturday the 18th – 7:30-9:00 EST) when there will be free streaming access to a dance performance in the Metropolitan Museum of Art’s Temple of Dendur. It will feature dance companies from India and Sri Lanka – the setting in the Sackler Wing of the Met, and the heady colors of the outfits worn by the dancers, should get your heart racing and your creative juices flowing.

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The New York Times said “The only proper response to dancers this amazing is worship.” If the phrase “down in the doldrums” has been echoing around in your head since March, this performance should chase it off. And if you miss it tomorrow, I think the Met is making it available soon on YouTube.

#3. Last nudge – this one will make you giddy. Or dizzy. Or both. The Minneapolis Institute of Art is providing 3-D looks at objects in their collection online via a company called Sketchfab. You can turn the on-screen object around 360 degrees, look at it from underneath and from above, you can zoom in….you can practically feel it,  as if you in the museum viewing it, or even better, as if were holding it in your hand. Be sure to go to full-screen mode to get a really close up look. Try the tiny netsuke of a shoki (a vanquisher of ghosts and evil beings) capturing an oni (an ogre.) This photo of it is not 3-D, but you’ll find one at the link.

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I’m a great believer in the power of one sense to heighten another. Music, sculpture, dance, good food  – all can inspire us to be better writers.  If we hit bad writing snags, we can venture outside the world of writing to unsnag ourselves. We can look out a window in Barcelona or Singapore. We can hold a netsuke in our virtual hands. We can watch as East Indian dancers move to the music of a bamboo flute. .

Flag and Country

Usually on the 4th of July I think first of fireworks and then of hotdogs.

This year is different. It is impossible to heedlessly celebrate because of the virus.

And the weeks leading up to July 4th have been filled with protests that lay bare the injustices of America today and throughout history.

Faith Ringgold Flag “Die Nigger” 1969

Faith Ringgold: This Flag is Bleeding 1997

Both the virus and the protests make me think about our responsibility towards each other.

Julie Paschkis 2020

How do we celebrate our country? What truths do we hold to be self-evident? What does it mean to be an American? 

Florine Stettheimer 1939

Bang Bang by Kerry James Marshall 1994

The social fabric is shredded and frayed right now, but that is an opportunity. The torn fabric can be sewn back differently. That would be worth celebrating.

Arcola Pettway

Support Social Justice – Buy Some Art!

Dear Friends,

These are unusual and important times.

I believe we are at a tipping point in America. We can move forward with
equal justice, equal pay, equal care, and equal respect, or we can fall back
into the mire of racism and prejudice.

I am not a lawyer or a politician. I am an artist. I have tried to use my
art to make this world a better place. Now I want to do more if I can. So I will
be selling original artwork from children’s books that I have illustrated to
raise money for the Black Lives Matter movement. 100% of the proceeds will be donated to organizations that support social justice and equity.

To start, I have chosen some of my favorite images from BOOM BOOM, by Sarvinder Naberhaus, published in 2014 by Beach Lane Books.

I will post the images with prices and information on Instagram (@margaretci) and Facebook. If you are interested, please follow me there.

Additional news: Books Around The Table will be publishing new posts every other week, rather than every week as we have been doing. I am stepping back from children’s books for a while to work on other projects, but I will continue to post occasionally as a “guest” blogger on this site.

Thank you for your continued support of our work here at Books Around The Table!

Margaret

 

The STAY Inside Story

For 22 years, the Inside Story has chugged along, staging twice-yearly gatherings at libraries and bookstores to celebrate new books created by Seattle-area children’s authors and illustrators. The goal is to give each book creator two minutes to share something unique and insightful about their book’s creation; to share the story behind the story with the larger children’s book community of teachers, librarians, booksellers and children’s book aficionados. 

But this spring, as you well know, quarantine circumstances prohibited gatherings. Organizer Dana Sullivan was not deterred. He stamped “STAY” across the top of the Inside Story logo and thus the “STAY Inside Story” was born.

 Dana and Michele Bacon are the current caretakers of this Society of Children’s Book Writers and Illustrators event. In previous outings, their tasks included sending out the call to local SCBWI members, setting up venues, coordinating with a bookstore to sell participants’ books, creating programs, and emcee-ing the show.  

The new virtual format demanded an expanded skill set. To his customary roles of illustrator, designer, and web-content creator, Dana added participant coach, rehearsal director, and technology troubleshooter. His sense of humor leavened the challenges, including navigating Zoom webinar technology, with the help of Michele and SCBWI co-chair Julie Artz.

Co-chair of the STAY Inside Story, Dana Sullivan, emceed the event with humor and panache.

You can see the program of presenters and their books here: http://www.danajsullivan.com/inside-story-may-2020.html

It’s an entertaining lineup, including BATT’s own Julie Paschkis and Margaret Chodos-Irvine who showcased their lovely new picture book, Where Lily Isn’t, and Vikram Madan, whose spiel about his poetry collection, A Hatful of Dragons: And more than 13.8 billion other funny poems, included a magic trick.

Suzanne Selfors, new proprietor of Liberty Bay Books in Poulsbo, coordinated book sales through a special section on her website, working with presenting authors and illustrators to provide signed books to purchasers. https://www.libertybaybooks.com/event/scbwis-inside-story

Afterwards, Dana created a YouTube video of the event, which you can see if you click on this link. https://www.youtube.com/watch?v=NHpaKmWh-Y0

George Shannon and I, who created the Inside Story in 1998 and ran it for the first five years, had cameo roles in the opening scene. We both tip our virtual hats to Dana and his team for this successful first-ever STAY Inside Story. It was so heartening to see our children’s book community rally despite being unable to gather. In fact, attendance topped 100 viewers, a record!

For the inside story about the Inside Story, check out my blogpost from 2013. https://booksaroundthetable.wordpress.com/?s=Inside+Story

Kadir Nelson

Today I want to share imagery by one of my favorite artist/illustrators, Kadir Nelson. You probably know this artist’s work already. He won a much-deserved Caldecott as well as a Coretta Scott King award this year for his book The Undefeated, written by Kwame Alexander. Kadir’s work also embellishes a number of USPS stamps, and album covers, and movie posters, and many (of my favorite) New Yorker Magazine covers. And his paintings hang in a lot of prestigious places, including the U.S. House of Representatives.

I had the pleasure of meeting Kadir Nelson in Orlando at the 2004 ALA convention. He won his first Coretta Scott King award that year for Ellington Was Not a Street by Ntozake Shange.

This book illustrates Shange’s poem about growing up in the midst of African American leaders like Paul Robeson and W.E.B. Dubois.

I peruse Kadir’s books whenever I want a lesson in composition, or dramatic perspective, or skillful use of a restrained color palette, or emotion as told through gesture and expression. Or if I just want to look at beautiful paintings.

I think what I like most about Kadir’s painting style is the evidence of the drawing behind it. Kadir’s linework seems to flow from his fingers freely and without error. He makes it look so easy.

I met Kadir again a few years later at an NCTE convention in Nashville where I sat in on a presentation he gave. He spoke with humble confidence. He said he uses photography as reference. But his work extends far beyond realism. He enhances the expressiveness of anything he draws, even if that thing is an inanimate object.

Even his skies tell stories.

I have shown examples here from the few books by Kadir that I own, but if you want to see more of his outstanding work, you can purchase his books online, or find them at your local libraries (when they open up again). His work highlights stories of courage, perseverance and strength; stories that we all benefit from reading.

Read a book. Turn on a light.

Recently, I went searching for new images to add to my collection of images of books featured in art. A funny theme began to emerge with the images I was finding.

It was books as light—books as sources of illumination–an obvious metaphor, but funny to see so many of them popping up in what was a pretty short, random search.

There are books to come home to…

Illustration by Mariusz Stawarski

There are books to light the way

Illustration by Davide Bonazzi

And books that light the way to dimensions far from home

Illustration by Karolis Strautniekas

Of course, it’s not so much about books, but illumination in whatever form it comes to us.

Illustration by Matt Murphyred

Some knowledge can be dangerous–radioactively so.

Illustration by Karolis Strautniekas

It can even lead you astray. Although I’m not sure if the artist is commenting on the content or the form here.

Illustration by Brian Fitzgerald

Sometimes books are all sweetness and light…

Illustration by Takashi Tsushima

Sometimes they are their own source of darkness and confusion.

Illustration by Franco Matticchio

Whatever they are, books beckon…

Illustration by Quint Buchholz

especially in times like these.

 

 

Disjointed

 

Harvey keitel 2

A scene from Wayne Wang’s Smoke. Have you been looking at old photos, too?

 

Have you been doing lots of things you haven’t felt like doing before?  I have. Apparently a lot of people are baking bread, and I’m trying to work up the courage to make some New York rye. Baking is not my thing, but I found a recipe for making rye bread with pickle juice – that sounds irresistable.

I’ve also been listening to audiobooks, not because I prefer them but because the library in closed during this pandemic and only ebooks and downloadable audiobooks books are available.

On Mother’s Day, I did a lot of looking at old photos. My bet is a lot of people did the same.

Life since the end of February has been a bit disjointed, with old patterns flying out the window and new patterns flying in, then the new ones sneaking out, replaced by others sneaking in, then those new ones sneaking out and…well, you get my drift. Are you feeling like the “pattern” during our Stay Home, Stay Safe pandemic seems to be no pattern at all? Is that a good thing or bad thing? Who knows? (she says, shrugging her shoulders….)

My thoughts are a little scattered, possibly becauset the boundaries of my world are now more restricted. There are lots of new rules. But how can a day be simultaneously “More of the same” and “Everything’s different”? I’m confused. What’s new? (she says, shrugging her shoulders….)

As writers we’re used to being at home when we work. But we’re not used to the whole neighborhood, town, county, state, country staying home. It’s more than eerie – it’s serious business. True, change presents opportunities as long as we’re healthy. There’s space for innovation,  creativity, new choices. There is also space for insomnia because we feel a sea change coming, and we know the pandemic is no metaphor, it’s real, it’s out there.

Like I said, life’s been disjointed – could be a chance for change, could be a mess, most likely both.  Whatever is coming, the present passes a bit more slowly in ways I can’t quite figure out. Same for you? Despite the slow pace, does your day end without you being able to figure out what you did all day – how did you get from morning to night? In some ways, does life seem to be in slow-motion? Or even no-motion?

Of course, slowing down has always been something I’ve recommended to my creative writing students. Good writing – especially poetry, as far as I’m concerned – requires it.  “You’ll never get it if you don’t slow down, my friend” – that’s a line from Wayne Wang’s fascinating movie, Smoke, which I also recommended to my students. It’s based on a book by Paul Auster, who also wrote the screenplay. Auggie, played by Harvey Keitel, has scrapbooks full of snapshots of his smoke shop in Brooklyn, and when he shares the scrapbooks with a friend (see the photo above)  the friend points out that all the photos look the same. But Auggie disagrees. On the surface, yes, the photos seem identical. But his smoke shop, his “little spot” in the world, is different every day, if you know how to look carefully. Different people pass by, or the same people pass by but they look different from the day before. The air each day is different, the light is different, the weather and the seasons are different, colors, noises, conversations, the details are different.

Harvey Keitel

So I’m living in my little corner of a Smoke world right now. The same each day but different. Forget-me-nots blooming, carrots coming up in the raised bed, chickadees building a nest in a wooden birdhouse. The white lilac has come into its glory and is about to go out of it, as it does each year.

My grandson turned thirteen yesterday. I love him to the moon and back, and I can’t imagine being thirteen, even though I once was. When I go for my walk later today, I’ll try to remember what being thirteen was like. And when I go to bed, I’ll still be trying, because I like to get the details right. I remember slowly.  I might fall asleep thinking about that, or I might be thinking about taking weekly photos of my little yellow house because it’s the same but different every day. Or I might fall asleep thinking about the word “disjointed.” It’s a word that makes you believe your skeleton could be rearranged so your knee bones switch places with your wrists. Or the knuckles of your thumbs get attached to your ankles. “Dis-jointed.” I’m sure there’s a poem in that somewhere.

 

 

There’s No Place Like…

Since March 12, we have had a chance to decide if Dorothy is right, if there truly is no place like home. Our enforced staycation has given us all lots of time to think about what ‘home’ means.

It’s a common theme of literature: the hero’s journey takes him out and away only to return home, changed, to a hot supper.

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Home. Such a perfect word. The sigh of the initial ‘h,’ the round ‘o,’ the ‘m,’ which can be drawn out ‘mmmmm.’

In the early 2000’s I spoke at a joint Oregon and Washington library gathering. Organizers asked participants to respond to the question: “What is ‘home’ to you?” I remember Lois Lowry said home was her mother singing in the kitchen. And Jacqueline Woodson, who had a new baby, said home was the curve of her daughter’s neck, that little nuzzling place.

Their answers engage the senses – the sound of singing, the touch of a warm baby – because home is a place we know with our senses. The smell of oak duff takes me to my childhood home in the Sierra foothills, as does any starry, starry night.

But no matter where your physical house is, it’s the people there that make it a home. Anyone who has experienced homesickness knows the truth of the old axiom “Home is where the Heart is.” No matter how good a vacation is, it’s always comforting to come home to your own bed.

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Have you ever taken a walk through your neighborhood at dusk, when neighbors have their lights on but before they have shut the curtains? In every picture window there’s a vignette of home being experienced: kids playing, a family eating dinner, a mother rocking a baby. Lots of stories going on.

These days we get glimpses into peoples’ homes because of the necessary reworking of live TV shows. For instance, if you watch American Idol, the contestants are broadcasting from their homes. You get to know them a little better: the freeway is off in the distance from one guy’s porch, another has a couch full of kids watching.

Screen Shot 2020-05-15 at 9.03.30 AMYou can’t help but imagine their lives as revealed by their homes. It’s an interesting insight, especially for we nosy writer-types.

I’ve become fond of Jimmy Fallon’s home edition, videoed by his wife on an iPhone. He is so charming with his two little girls on his lap, reading the evening’s jokes – and what an interesting house!

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 John and I realize we are lucky. We have each other – that’s what home is for us – and a roof over our heads and access to just about anything we need – and two little grandboys who are on their way over here right now. Maybe they will build a fort of sofa cushions and blankets. A home in a home.

My heart goes out to those whose housing is uncertain and healthcare and food sources iffy.  The inequalities in our land-of-plenty are laid bare by this crisis. As we recover from the corona virus’ impact, I hope we will take the opportunity to reset our communities, and services, and country with compassion and inclusion. Here’s a chance to do things better, to take better care of each other, to offer everyone the welcome of home.

Wishing you all the best during our “safe at home” days — and wondering; When you click your sparkly red heels, what is ‘home’ to you?

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Head, Body Legs

Head, Body, Legs is a drawing game. You can play it with as few as two people or with a whole roomful. You can even play it through the mail – preserving social distance while making playful connections.

by Julie Paschkis and Zoe Paschkis

How does it work?
Fold a piece of paper into thirds.
Draw a head of any kind – human, animal or other – in the top “head” section of the paper.

Draw two tiny lines that extend from the bottom of your drawing into the middle “body” section of the paper. Fold the paper so that the head is hidden.

Pass (or mail) the paper to the person next to you,. They will see only the little lines and not your drawing.

The next person draws a body of any kind in the middle section, adding tiny lines that extend into the bottom “Legs” section of the paper.

They fold and pass (or mail) the drawing to the next person so that only the little lines are visible, not the head or the body.


The next person draws the legs.

Unfold the paper to reveal the creature that you have co-created.

In a group everyone draws at the same time and then passes in the same direction.  You work on the head of one drawing, the body of the next and the legs of a third. The process sounds complicated but it is actually simple: Fold, Draw, Pass, Repeat.

Here are some Head, Body Legs that were drawn at a table. All the generations of my family often play this game.

by Julie Paschkis, Joe Max Emminger and Amy Kaye

By Julie Paschkis, Benji Kaye and Eric Kaye

by Benji Kaye, Julie Paschkis and Joe Max Emminger

by Lucia Santos, Julie Paschkis and Jennifer Kennard

The drawings themselves can be as simple or complicated as you like. The finished pieces look more coherent if all of the participants use the same media – pencil, ink, markers or paint.

Here are some recent HBL passed through the mail instead of around a table.
I started these at home and then sent them to Margaret Chodos-Irvine, who sent them to Deborah Mersky.

by Deborah Mersky, Margaret Chodos-Irvine and Julie Paschkis

My niece Zoe and I did these three piece drawings  through the mail:

by Zoe Paschkis and Julie Paschkis

Then we realized it made more sense as a two person collaboration to create two part drawings. Head Bo/Dy Legs.

I drew these:

And mailed them like this:

Zoe finished them:

 

Exquisite Corpse is another name for Head, Body, Legs.

Whatever you call it, I hope you will give it a try.

Joe Max Emminger, Julie Paschkis and Daisy Emminger

P.S. I am continuing to post free, printable coloring pages on line every Monday, Wednesday and Friday. Please click HERE for a link to those pages.
Here are some pages that people have colored in.

Benji Kaye

Mary Ann Landmesser

Eric Kaye

After you have spent some time playing Head, Body Legs, or coloring in the printed pages, perhaps you will be inspired to keep drawing, or to invent your own games.

Benji Kaye